Besserie Maylis
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She is Maud Gonne, the muse of writer William Butler Yeats. Yeats here returns as a ghost, after having been buried in southern France in January 1939 at Roquebrune-Cap-Martin. Ten years later his remains are repatriated to Ireland. He emerges from his grave to recount his thwarted love with Maud, a story blending with the movement for Irish independence in which they each played an integral part. Yeats' ghost has suddenly appeared as diplomatic documents have come to light, casting doubt on the contents of the coffin brought back to Sligo for a state funeral. Where did the poet's body go? Does he still hover 'somewhere above the clouds'? What remains of our loves and our deaths, if not their poetry? Maylis Besserie's exciting new work follows on from Yell, Sam, If You Still Can (Le tiers temps), translated by Clíona Ní Ríordáin. In Besserie's second novel, she turns her attention from Samuel Beckett to another Irish writer, W. B. Yeats. The connection between Ireland and France is forged once again in the smithy of art, culture and the days at the end of life.
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Yell, Sam, If You Still Can by Maylis Besserie, the first of her Irish trilogy, shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home. It is as if Beckett has come to live in one of his own stage productions, peopled with strange, unhinged individuals, waiting for the end of days.This novel is filled with voices. From diary notes to clinical reports to daily menus, cool medical voices provide a counterpoint to Beckett himself, who reflects on his increasingly fragile existence. He remains playful, rueful, and aware of the dramatic irony that has brought him to live in the room next door to Winnie, surrounded by grotesques like Hamm or Lucky, abandoned by his wife Suzanne who died before him.Besserie delights in Beckett's bilingualism and plays back and forth between the francophone and anglophone properties of language, summoning James Joyce as Beckett reminisces about evenings the two spent together singing, talking and drinking. Largely written in the library of the Centre Culturel Irlandais, Besserie has kept the hum of Irish voices throughout this work.Yell, Sam, If You Still Can won the "Goncourt du premier roman", the prestigious French literary prize for first time novelists, just before the country went into lockdown. Besserie is now planning a further two novels that will explore the links between Ireland and France and is touted as the new star of the French literary world.
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